I hope it’s spring where you are! Enjoy two hours of tasty tunes on me:
I hope it’s spring where you are! Enjoy two hours of tasty tunes on me:
It’s that time where I go to two of my favorite music aficionados, Mark Levy and Brian Haviland for the tunes they can’t live without. If you’ve been following MFL for the last few years, you’ll recognize these names. We each picked 6 or 7 songs that we couldn’t stop listening to in 2017 but I’m not going to tell you who picked what. It’s more fun that way. ENJOY!
My inbox has been bursting at the seams with tunes that have been dying to reach your ears. Get cozy, because this is a long one! If you prefer a more visual experience, feast your eyes on some select music videos.
Something I wanted to note about the following playlists is that there is a music video in there for a song called “Anxiety (In the Depths of Northwestern Ontario)” by a band called 1971. In February of this year, they lost the founding member, bassist, brother and friend, Cameron Glen Cranston. They will no longer be a band but have decided to release the last recordings they did with him.
Happy holidays to all you music-loving folks. I hope you all enjoy this time of year doing whatever it is you do.
Jenny and Eli are brother and sister. They grew up writing music together in London but are now separated by 3000 miles of land and water: One in London and one in NYC. They have released a decent amount of music under the title, Good Girl and the Bad Times. Now they are set to release a new record soon that, according to them, was created in a mad rush and on a low budget. I have to say this came as a shock to me because I fell immediately for their first single, “Love’s Lost”, and could never have guessed it was rushed or low budget. The duo calls their new found style, “underwater disco.” Check out “Love’s Lost” and read more about Good Girl and the Bad Times below:
MFL: How long had a brother/sister act been in the works before it came to fruition and when did it officially begin?
Good Girl and the Bad Times (GG): We’ve been playing and writing together our entire lives. It’s always been fun for us and often we’d get swept up in some utterly ridiculous project like writing a series of fake Christmas #1 records from the 90’s, or scoring the music for an imaginary children’s tv show.
However, since around 2004 there were always actual, full time musical projects constantly underpinning that silliness. I recorded 2 albums in New York and Austin and would bring Eli in whenever possible. Over time it just became obvious that nothing was more fun than making music as a duo. It just took a while before we were brave enough to concentrate on taking that seriously. I’d say that we’ve been ‘officially’ a duo going on 5 years now.
MFL: How far apart in age are you two and how did you end up so geographically distanced?
GG: We’re 6 years apart. I came out to the states to study music at Berklee when I was 19 and then moved to New York. Of course now we wish we could be closer as we’ve stumbled on a sound we really love and desperately want to gig it. We’ll get there!
MFL: Do you ever get together to record or does every aspect of Good Girl and the Bad Times happen separately?
GG: Previous recordings had a much healthier budget, so Eli would fly out to NY to participate and we were able to employ some amazing musicians and co producers to help us realize our ideas.
However, the record we are hoping to put out next was done on the scrawniest of budgets and as a result is our most honest effort. Essentially I saved enough to quit my job, fly out to London and crash in Eli’s house for the summer. He’d managed to borrow lots of synths and gear from friends and built a little bedroom studio, which we hardly left. Over the next 5 weeks we wrote and recorded 8 songs (we could have done more, but time ran out). Then when I flew back to NY I recorded all the vocals.
Occasionally, circumstances dictate we work transatlantically, but to be honest both of our confidences crumble a bit when we do it alone. I feel like you can hear it’s not as fun.
MFL: What is the concept of your new album and when can we expect it?
GG: The sound unites it more than a concept per se, although my lyrics tend to lean towards melancholic loves gone wrong. It’s quite dark in places and very layered but also has a kind of tender, nostalgic element to it. It’s the first record we’ve made that we feel really fits together as a piece – probably because of the way we wrote and recorded in a bit of a mad rush.
MFL: Tell me more about ‘underwater disco’, the words you use to describe your musical quality.
GG: At first we were describing the vibe as ‘Twin Peaks if the role of Agent Cooper was played by Prince’, but it didn’t really roll off the tongue as a genre. ‘Underwater disco’ matched the undulating murky groove we settled into better. Of course, prior to being mixed by the incredible Danny Reisch (Octopus Project/Other Lives) and mastered by Jeff Lipton (Arcade Fire/LCD Soundsystem) the sound more closely resembled a lumpy bowl of oatmeal and tears.
MFL: “Love’s Lost” seems to have a lot more of an electronic sound than your previous songs (based on my quick listen to the previous releases). What is different about “Love’s Lost” to you, if anything?
GG: A combination of being broke and finally having the guts to make a record that matched what we love to listen to resulted in an electronic effort. Eli has been making gorgeous dance music separately for years now. At the risk of being crude we wanted to write music that our friends could fuck, dance and cry to. The stuff we made before was well written and arranged, but always felt slightly disingenuous. A bit of a pastiche. It took a constrained set of circumstances for us to feel confident enough to completely self produce. It’s less about us trying electronic music on for size, and more like this is the music we should have always been making.
MFL: Who are your musical influences or inspirations?
GG: I mean we both listen to everything but with regard to this record there’s a lot of old disco influence, early Eurythmics, Prince, Kate Bush, Jai Paul, Yazoo, James Blake… we had a lot of fun listening parties throughout the process. There’s also a lot of stuff you would probably never pick out when you hear it like John Maus, Radiohead and Fleetwood Mac but they’re in there.
MFL: Where did you two grow up and what was the music scene like?
GG: We grew up in London. We’ve both been pretty obsessive listeners our entire lives so we would gravitate to all sorts. As teenagers Eli was more into indie and folk whereas I would usually find myself at Garage raves at 8 in the morning. As we got a bit older we both started to get quite heavily into electronic music, techno and pop. Really it was only a matter of time before our own music reflected that.
MFL: Do you release music under your own label? If so, touch on some pros and cons of having your own label.
GG: Currently we release under our own label Good Bad Records. The beautiful thing is we can stand by a project 100%. We love this record, and no nasty suit has had his fingers in our creative pie. That being said, now the music is completed, we are open to signing with a better indie label as we’d love these tunes to get in the ears of more people and finance a proper tour.
MFL: What have your experiences been like performing live and what type of venues do you prefer?
GG: Our recording experience is actually decades ahead of our live. We do love playing. We want more of it. It’s a bit of a slog getting there what with the 3000 miles that currently separate us. We had a couple of years together in London playing our older material as a duo (the stripped down set sounded like 60’s gloom pop). Looking back it was slightly mad though- we didn’t want to give up on these incredibly dense arrangements so we’d end up trying to play 4 instruments each at once! The new show should free Jenny up to dance around a bit. We’re in the process of trying to figure out how this record is going to work on stage which is really exciting.
30 new songs for your starving ears: