Cut Worms debuts with music video for “Like Going Down Sideways”

Max Clarke, the man behind Cut Worms, is based out of NY and his debut record, Alien Sunset, is due out October 20th on Jagjaguwar. The first single accompanied by video, “Like Going Down Sideways”, is a poetic piece that sounds and looks like it came out of the past. Clarke’s voice and instrumental qualities are beautifully aged. The video is shot in a way that also gives the viewer the feeling that they’re viewing something from another generation. About the video Clarke says:

“My girlfriend Caroline filmed and directed the video,” says Clarke. “We shot it on a combination of Super 8 and VHS over the course of a couple weekends in a variety of locations in the New England area—at a 4th of July Barn Party in New Hampshire; at a house in the Berkshires in Massachusetts; At a graveyard; At a Taconic Sculpture Garden which we spotted while driving on the highway. The narrative is intentionally loose like a home movie, and the desired effect was to be like walking into a room where someone is showing found footage and just having to take it for what it is… whatever that is.”

 

 

Look for Alien Sunset October 20th and keep in eye out for him as he may be passing through your town in support of his debut record:

Fri. Sep. 22 || Toronto, ON || Lee’s Palace *
Sat. Sep. 23 || Toronto, ON || Lee’s Palace *
Thur. Sep. 28 || Cambridge, MA || The Sinclair *
Fri. Sep. 29 || Asbury Park, NJ || Stone Pony *
Sat. Sep. 30 || Washington, DC || Black Cat *
Fri. Oct. 20 || Los Angeles, CA || Teragram *
Sat. Oct. 21 || Los Angeles, CA || Teragram *
Sun. Oct 22 || Nashville, TN || City Winery ^
Tue. Oct. 24 || St. Louis, MO || Delmar Hall ^
Wed. Oct. 25 || Kansas City, MO || Knuckleheads ^
Fri. Oct. 27 || St. Paul, MN || Turf Club ^
Sat. Oct. 28 || St. Paul, MN || Turf Club ^
Sun. Oct. 29 || Milwaukee, MN || Turner Hall ^
Tue. Oct. 31 || Chicago, IL || Lincoln Hall ^
Thur. Nov. 2 || Brooklyn, NY || Baby’s All Right (EP Release Show)

* = w/ The Lemon Twigs
^ = w/ Nick Lowe

Album Review: “Geometry” by ESC

The album opens with my favorite cut, “Woodvine.” Slide guitar and a whimsy, dream-like melody lead you into ESC’s debut record, Geometry. Dale Hiscock, the man behind ESC, was born, raised, and part of multiple musical projects in the very place I’ve spent the past decade of my life, Bozeman, Montana. Somehow, we never crossed paths in this little place called Bozeman but now music has crossed our paths. Dale, based out of Boise, Idaho now, is making music of his own but also finding ways to incorporate the local music scene. When introducing his music to me he related his sound to bands like “American Football, Radical Face, Local Natives and stuff like that.” There is something comforting and familiar about ESC’s music but it simultaneously stands on its own. I second his likeness to the bands he mentioned. But, I also hear a bit of Death Cab For Cutie slip in there on “So it Goes”, a gentle track with thumping rhythms, a deep underlying bassline, and a catchy guitar lick that stitches it all together.

 

 

Upon listening to Geometry in one sitting, the seven tracks fly by but in no real hurry. The general mood of the record is slow motion; mellow. “Real Estate” is a purely instrumental track. Its hypnotic nature requires no lyrics and allows the listener’s thoughts to ebb and flow with the changing instruments while the drum beat remains constant. “Fireflies” finishes with a beautiful, and all too short, piano version of the songs’ melody, again highlighting the fact that this record is not rushing to get you to the final cuts.

You can purchase Geometry on Bandcamp and follow ESC on Facebook and Soundcloud as well.

Mike Kosec of NJ shares his first record at 66

Mike Kosec is based out of central New Jersey and found his passion for writing and creating music at a late age: 66. But this isn’t stopping Mike. He released his debut full length, Sun and Shade, earlier this month. According to Mike his songs are ” about love and relationships, comings and goings, saving open space, and saying goodbye while always remembering the memory of hello.  Along the way, there is a humorous tall tale about love too.”

He writes his music and lyrics purely from his heart and tells a beautiful story. Just this week, his music became available on iTunes, Amazon and CDBaby. You can also find it on Bandcamp.

Check out one of my favorites, “Winter on the Boardwalk”:

Playlist: Summer Never Ends

It’s that time of year where town starts to buzz again. The students are rolling back in and it reminds me of the feeling I used to get when this time of year would hit, wishing that summer would never end. Here are some tunes to help you enjoy the remainder of your summer to its fullest capacity.

FYI, I’m trying something new. Below is a SoundCould playlist AND a Spotify playlist. I’m concerned for the future of SoundCloud so Spotify may be taking over on MFL for playlists. However, some musicians that connect with me do not have their music on Spotify thus, the playlists differ slightly in musical content. That being said, neither SoundCloud or Spotify should replace your support for musicians. Please GO to shows, BUY records, BUY T-shirts and tell them you love what they do. Enjoy:

 

 

 

 

Quirky Video from Marlon Williams: “Vampire Again”

New Zealand-born, Marlon Williams, has released his first single since his stunning self-titled debut came out in 2016. The new track,”Vampire Again”, is SO Marlon Williams. It is emotive, fresh and haunting. In the video Williams expresses himself shamelessly through dance, a vampire costume that couldn’t have cost more than $5 and cheap ghoulish make up. It all makes more sense when you hear it explained by the man himself:

The germination of this song began in LA last year. It was indeed Halloween again, and I was bored, having spent a week locked away in an Airbnb by the airport trying in vain to write a song. Any song. Nothing came. So Halloween comes around and I figure, “Hey, I’m gonna go out tonight. Alone. Comfortably alone. Comfortably alone to see the LA Opera performing a new score to accompany my fave scary flick Nosferatu at the Ace Hotel. I’m gonna dress as the spindly creep himself. What’s more, I’m gonna get super blazed before I go. And be comfortably alone.”

So, off I go, having spent far too much on a last minute outfit, and step out of the Uber and onto the red carpet with a nauseating air of self-confidence. “This is my night. I am strong. I am human and it is my right to express myself how I see fit.” Turns out I was running late, and when I finally enter the theatre everyone was already seated and the overture had begun. What’s more, no one else was dressed up. Well they were, but in tuxedos and lovely dresses. And there was nowhere for stoned ole spindleboots to sit. So, I hunched and crawled my way down the aisle and sat on the floor like it was the most reasonable thing to do at an opera.

I made it through the whole film and then calmly turned tail, satisfied that I’d had a good time and sure that I’d heard whispers of “bad-ass” as I left the building. I’d like to believe that this was, at least in part, the catalyst for a whole new period in my life and my art. But that’s bullsh*t.

Anyway, here it is, my own demented tale of New Age self-affirmation; “Vampire Again.”

 

 

You can catch Marlon Williams touring this summer and fall:

Tue. Aug. 15 – St. Louis, MO @ The Pageant #
Wed. Aug. 16 – Omaha, NE @ Slowdown #
Fri. Aug. 18 – Denver, CO @ Paramount Theatre #
Sat. Aug. 19 – Bellevue, CO @ Mishawaka Amphitheatre #
Mon. Aug. 21 – Kansas City @ Arvest Bank Theatre at the Midland #
Tue. Aug. 22 – Springfield, MO @ Gillioz Theatre #
Thu. Aug. 24 – Tulsa, OK @ Cain’s Ballroom #
Fri. Aug. 25 – Dallas, TX @ House of Blues #
Sat. Aug. 26 – San Antonio, TX @ Aztec Theatre #
Mon. Aug. 28 – Houston, TX @ House of Blues #
Tue. Aug. 29 – Austin, TX @ Stubb’s #
Sat. Sep. 2 – Rutbeek, NE @ Tuckerville Festival
Tue. Oct. 24 – London, UK @ Omeara
Wed. Oct. 25 – Paris, France @ Espace B
Thu. Oct. 26 – Berlin, Germany @ FluxBau
Sat. Oct. 28 – Amsterdam, Netherlands @ London Calling Festival
Mon. Oct. 30 – New York, NY @ Rough Trade
Wed. Nov. 1 – Toronto, ON @ The Drake
Thu. Nov. 2 – Los Angeles, CA @ Moroccan Lounge
Fri. Nov. 10 – Auckland, NZ @ Point Chev RSA
Sat. Nov. 11 – Welllington, NZ @ San Fran
Sun. Nov. 12 – Christchurch, NZ @ Blue Smoke
Wed. Nov. 15 – Sydney, Australia @ Oxford Art Factory
Thu. Nov. 16 – Melbourne, Australia @ Howler
Fri. Nov. 17 – Mullumbimby, Australia @ Mullumbimby Music Festival

# = with City and Colour

 

Interview: Kevin Andrew Prchal

Kevin Andrew Prchal is a Chicago-based singer/songwriter. His recently-released record, Love & Summer, is a truly lovely record, embroidered with gorgeous strings and rich harmonies and supported by Prchal’s ability to tell story in song. His musical career began somewhere quite unexpected (to me at least!), but below, he explains why he has to thank his skater punk youth and bleach blonde hair for who he is today as a musician. Read on below as we discuss much more.

MFL: You recorded Love & Summer in three days and there are 14 tracks on this album. Sounds like a marathon! Lay out some of the pros and cons of recording a record in such a short time.

 Kevin Andrew Prchal (KAP): It was a marathon, indeed! The pros I’d say are, 1). Because we were so prepared, we didn’t waste time figuring out parts in the studio, 2). We captured honest performances filled with flaws, chemistry, and intuition, and 3). We never exhausted the songs (which can be a hazard of spending too much time on a record).

 The cons I’d say are, 1). Having to live with said “flaws” in our performances, and 2). Not having enough time in the studio because making records with my friends is a blast and I wish I could do it every day.

 

 Left: KAP with his band, The Wheeling Birds, who played on the record. Photo by Nicholas Wenzel.

Right: Rehearsing “Back to the Earth” just before they recorded it. With key player Nate Erickson (piano) and producer Adam Krier. Photo by Nathan Villotti.

MFL: The strings are truly stunning on this record. Who do we have to thank for this and how did you find them?

 KAP: Couldn’t agree more. The fiddle on “Make Me a Believer,” “Simple Thrill,” and “Illinois” were played by Katherine Andrick, and the sweeping string section on “Back to the Earth” was arranged by our producer Adam Krier and performed by John Morton. John has a talent that can’t be taught or reproduced. Everything he plays on is his own unique expression and this song is infinitely better because of it.

 

MFL: “Simple Thrill” is one of my favorites on the album. “Luke & the Universe” follows, a beautiful echo of the previous track. Tell me more about “Luke & the Universe” and why it lays where it does on this record.

 KAP: Very cool, thank you. “Luke & the Universe” is a song dedicated to a friend of mine who passed away unexpectedly in 2015 and it’s the only track on the record that wasn’t rehearsed before going into the studio. On the day it was tracked, I called the band into the recording room after a lunch break and my only instruction to them was to “make a wall of sound.” The intention was to create something brief and beautiful (like the life of my friend who passed away), yet chaotic and unscripted (like, well, the universe). The song is placed dead center at the heart of the album’s track list because I think the philosophy of this song is essentially the philosophy of the record: finding the beauty in a world of chaos.

 

 

MFL: Is there a particular track on Love & Summer that you enjoy playing more than the others? If so, what is it and why?

 KAP: I think it depends on the gig. When it’s with the band, the title track “Love & Summer” is a ball to perform. We’ve only played it live a few times at this point, but each time has felt like a circus pulling into town. When I play solo, “Back to the Earth” is a good one to play. I think that one requires a bit more of the audience’s attention in order for it to resonate, and that can be hard to pull off on a Saturday night in Chicago.

 

 

MFL: What kind of feelings do you hope to invoke in your listeners when they are taking in Love & Summer?

 KAP: Whimsy, optimism, existential dread, hope, nostalgia, running barefoot through backyards, sitting on a curb on a skateboard eating an apple with a pocketknife, etc.

 

3_KAP_Love & Summer Record Release Show

  Photo: Love & Summer record release show image, taken just last weekend. Photo by Mike Neerhof.

 MFL: I see you are Chicago-based but not Chicago-born? Where were you born and raised and how did that environment shape your life as a musician?

 KAP: Well, I was born and raised just outside of Chicago. City-folk tend to get up-in-arms about people claiming they’re from Chicago when they’re not, so I tread those waters carefully. But the town where I grew up was a fantastic breeding ground for me creatively. It was a town that introduced me to skateboarding and subsequently led me to discovering punk rock, going to garage shows, buying a guitar, starting a band of my own, dying my hair bleach blonde with blue streaks, etc. Skate culture is one that promotes creativity and self-expression and had I never been introduced to it, I would likely not be making records today.

 

5_KAP_Skater

 Photo (caption in the words of KAP): Skater punk me (relevant to question 6). Photo by god knows who.

 

MFL: For those that are new to your music, if we were to listen to your previous record, Sorrow Sings, what sort of differences would we notice lyrically and musically?

KAP: Lyrically, I think you’d notice a similarity in the themes explored on each record. Both juggle grim and heavy topics while still weaving a thread of optimism throughout. Musically, Sorrow Sings is much more stripped down. It was recorded in an old church with no drums and minimal accompaniment. Love & Summer, however, is like a VW bus of musical arrangements. Everything from hand drums, organs, fiddle, pedal steel, trumpet, and more, make their way onto the record giving each and every song its own unique life. Still trying to figure out that VW bus comment? Me too.

 

MFL: What is your favorite way to listen to music: vinyl, CD, stream, cassette tapes, whatever is on your favorite radio station, or any others you can think of?

 KAP: I’d say live music is my favorite. These days, music has become so accessible to the point that it’s disposable. People listen to 30 seconds of a song and if they don’t like it, they skip to the next like it’s nothing. Because they can. At a live show, there are no options to skip ahead or listen to something else. It challenges our instincts as music consumers and forces us to really listen to what an artist has to say or express. And that’s something no streaming service will ever be able to reproduce.

 

MFL: Besides your own record, what record are you most excited about that’s been released this year?

 KAP: I have been loving Bob Dylan’s foray into American standards and his new one “Triplicate” is no exception. There’s nothing cooler than an artist who has nothing left to prove. When listening, some might roll their eyes and hear nothing but old songs poorly sung, but I hear a soundtrack to a southern gothic. I see a tall shadowy man in an old suit, walking and whistling up a long country road with a full moon above him and a dog at his side. Beautiful stuff.

Also looking forward to new ones from The War on Drugs, Josh Ritter, Gia Margaret, Todd Kessler, Jessica Robbins, and Louise Kelly.

 

MFL: Finally, where and when can we find you playing live in the next few months if at all?

 KAP: Sadly, we won’t be doing much extensive touring but you’ll be the first to know if that changes!

 

Thank you to Kevin for all the emailing back and forth and for his thoughtful answers. You can follow KAP via his website and Facebook. You can purchase his new record and previous releases on Bandcamp and iTunes.